Tag Archives: matthew barney

Moving images–Dance and repetition make your eye and heart sing, a book review

Since the King of Pop died, I’ve been catching up on my Michael Jackson video watching. The ones that really grab me are Thriller and Beat It which aspire to be short movies and pretty much are. Jackon’s dancing is remarkable to watch of course. But his dance moves take on even greater visual [...]

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How much does arts funding matter?

Max Mulhern, whom I told you about here, wrote an interesting response to some of the comments on that piece. The comments focused on one thing mentioned in a much longer article– funding for artists. But an inflammatory topic will out, and one of the commenters wanted to know “What does Max [...]

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The ugliness factor

Matthew BarneyOriginally uploaded by sokref1.
Even before I knew it was Matthew Barney I knew it might be. Who else? An installation in a Chelsea gallery that snakes through four rooms and the entryway with huge objects made out of what appears to be fat or wax or some other dense repulsive material. This installation at [...]

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Moving Pictures, Part 1

Barney putting a hat on Bjork in the symbol- and ritual-rich movie.
Randy Kennedy’s backgrounder in yesterday’s NY Times on the new Matthew Barney/Bjork collaboration, “Drawing Restraint 9,” is excellent. The new Barney, in case you haven’t heard, is a full length feature film that’s out now in New York. Barney’s left the world of Cremaster [...]

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Your Barney screed

Hey, Roberta, that was a nice piece your wrote in the Weekly on Matthew Barney. I get the feeling you could have written pages more.

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Jerry Saltz loves Matthew Barney

My introduction to Matthew Barney’s art came in Jerry Saltz’s Art in America cover story (Oct. 1996). Saltz’s critical gush about Barney’s sexually weird universe (goat-eared fairies, Goodyear blimp phalluses, new types of genitalia!!) was enough to get your curiosity up – if not your dander. (As for Saltz, he’s still gushing! ) What’s the [...]

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What’s the story, Barney?

Yes. I think Barney–and David Salle is another example (see image)– is symptomatic of what’s wrong with the art world at its worst. What’s the point of being this inaccessible and self-absorbed, other than to flummox THE CRITICS (and some very important ones at that, Michael Kimmelman) into believing there’s something there, there? It’s the [...]

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