Post from Robert Asman
One of the strongest principles still active in our Constitution is the separation of the state and religion.
I believe the best artists of a culture strive to present some element of transparency to a transcendence beyond common life experiences–not unlike what religions strive for (shown right, Andres Serrano’s “Piss Christ”). Politics is an earthy, human business which is important that we all partake in as citizens, like paying taxes. To be effective you have to frame and focus your viewpoints by voting or supporting candidates and their organizations.
To do it artistically is to preach to fellow art community members who probably have the same viewpoint. It seems to be an ego exercise, not unlike [the egotism of] a lot of individuals who choose to run for public office.
If political disgust, change, etc. is desired to be communicated, why not organize and do it and target those who should hear your message?
You don’t see politicians making art. To have artists making politics just seems naive and narcissistic and I can’t recall a piece of political art that has
effectively embraced my consciousness as a successful work of art (shown left, poster from Diego Rivera show “Art and Revolution”).
–Rob Asman is a Philadelphia area photographer
SWARM, the kaleidoscopic visions of artist and filmmaker Terence Nance at the Institute for Contemporary Art
Shop local, shop artists this holiday season, a short list
Memento Mori, A trip through skulls, Sotheby’s, shot glasses and soap
The quintessence of collaboration – Damon Kowarsky and Atif Khan in Hybrid at Twelve Gates Arts