The painter’s attitude is brazen and narrow, perverting the affectionate work of Norman Rockwell [and] parodying the American Dream.
It is hard to deny that as a culture we are in a quagmire of consumerist addiction and self-involvement, and John Currin is making this point again and again.
He tells his moral tale in a shallow if seductive voice. The people he portrays are not admirable or even likeable; rather, he plays on the senses to engage the viewer in their situations.