Our next stop was “The New Money O.S.” by Josh O.S. at Space 1026, where as usual, we were among the few people over 30 and perhaps the only ones over 40 (the teens helped to give us some credibility in the mostly 20s crowd).
But this work was incredibly ambitious–a critique of our media-image loaded and consumerist society. The pieces were like puzzles, loaded with imagery to be discovered and decoded.
We got to look, at first, without a clue; On our way out, O.S. handed us schematics identifying the imagery. Either way, the images kept my attention.
Somehow, O.S. keeps this baroque excess of imagery in compositional control along with the lurid colors of the media and advertising. I loved them visually, and I loved the ones most that I was able to decode somewhat on my own.
Not all of the work was baroque and huge. Borrowed Renaissance portraits were reworked with the faces of media devils like Margaret Thatcher and Slobodan Milosevich, the backgrounds transformed into golf courses and McMansions (shown, a portrait of Nancy Reagan). Oh, yeah, and sheet cakes were frosted with printouts of the same images. We left before temptation forced us to partake.
To see such a range of work in one evening was a treat and a reminder that art can be anything and still be good.
Roberta and I divided up the rest of FF possibilities, so she’ll weigh in on those, and tomorrow I’ll add something about what I saw Saturday.