Ebullient is the word for Sam Maitin’s “Molly’s Bike,” (left) in which primary colors splashed on and around bike parts create a cheery graveyard dig of nuts and bolts.
Charles Barbin’s “Bike Parts II” (right) is a great collage painting that weaves together abstract imagery (with very nice colors, line and shapes) and a clunky old bike chain. It works for me.
Carol Cole’s “Velocity,” (below) a cast paper arrow which shows two interlocking bike gears is nicely reductive.
I’ve seen many Cole works over time and I’m a fan. This piece with its implied dynamic of movement and speed — as well as its implication of community (remember the two interlocking gears) captures the spirit of NBW perfectly.
If there was one piece I wanted to take home with me it was Warren Muller’s “Untitled” light piece (right). Its no nonsense, chrome-shiny affect is humble and appealing.
Finally, Burnell Yow!’s “Conversation,” (below) which made me smile, is a decoupage job, the two bike parts covered with torn comic book scraps held in place under a shiny shellac coating.
You can’t see in this mini picture but the two pieces are connected by one bike chain coming out of one open tube and going right into the other open tube. Which is how it is with conversations — two people filling each other up while being emptied at the same time connected by a single thread.