Then I asked Cate if she wanted to snap one with my camera. She did.
Here’s what she took. (image below)
The difference is pronounced. What I took is a documentary type shot that includes the building and some sense of space. While it documents the play of light on the door, you understand what you are seeing. Neat-o, but end of story.
Cate’s shot, on the other hand, cropped to what interested her, presents an almost inner vision — something surreal and beautiful that invites a journey into the world of the mind. You don’t need to know the real world framework to get the point of Cate’s shot because the point is to create imaginative workspace. The world is irrelevant.
Cate’s photographs have always taken the viewer on inner journeys. But not all fine art photographers go inside. Some, like Lisa Spera, whose works we saw Saturday at Highwire, focus on the exterior world.
I especially like this one, called “Love” which shows a dog looking out the window of a door. I wonder what he’s thinking.