What made Ahn’s work so interesting was its toughness and sharp observation in a medium associated with femininity and decoration. It was work chronicling the time and culture in which she is working (left, Ahn’s “Kyoto 2”).
san chirico, joanie
In contrast, stichery and applique by Joanie San Chirico at Pringle Gallery had references to cultures in which she is not working–pre-industrial Japan, ancient Rome and ancient Egypt, for example. Chirico may be mining the past, (she has a series made with pieces of old kimonos, a couple of catacombs pieces, an obelisk) but the work is visually modern, with its undermined rectangles and abstracted imagery.
My favorite was “Kimono Fragments: Sun” (image right) which stood out for its prominent hand-stitchery and its color. But all in all, pretty trumped meaning, and the references to the past and distant cultures couldn’t pour in quite enough content to lift this work above nice craft.
Also at Pringle, pretty encaustic paintings by Karen Nielsen-Fried, the images likable and unsurprising.