The other work I’ve seen before is by Hedwige Jacobs. Her no-depth landscape on canvas and her animation loop “Growing Grass” (left) tickled me last time I saw them, in “Green,” over at the Esther Klein Gallery. The animation wasn’t working when I stopped at Seraphin, but I remember loving it for its charming depiction of the not-so-charming truths of life, death, regeneration and maybe even overcrowding. Jacobs also has something up at the University of Maryland right now. I’m surprised at how little my previous posts on her say, because her work really left an impression on me, both at Klein and in an online show at The Vacuum (by the way, check out Roberta’s recent post on the current show at The Vacuum).
Photographer Ellie Brown’s “Nice” (right) is the funniest piece in the show. Each box in a grid of nine photographs says someone is nice–for instance, “Andrew is nice” or “Kelly is nice.” Below the message is a band of repeated, tiny photo portraits, presumably of the named person. Suddenly, thanks to Friendster and its endorsements of friends, junior high school fate books and multiple wallet-sized portrait exchanges at graduation have multiplied into a manufactured kaleidoscope of relationships. We’re deep in cyberspace where friendship has become metastatic and wide publication forces us into insincerity. It’s scary. But it’s also funny. This piece puts that minimalist grid to good use, manufacturing friendship with tongue firmly and appropriately in cheek. This is by far my favorite piece from Brown. She also has work up at Afif (see post) and at Tower Gallery in Northern Liberties.
I don’t know that this is the show that will shake up Seraphin’s business plan. But I was glad to take a look. It was worth my while.