Enrique Chagoya spent months working with Cindy Etinger’s studio and Silicon Fine Art Prints to make “The Headache,” a complicated multi-process digital print which is part of the Philagrafika festival. Chagoya’s print — a social commentary about President Obama and his health care headaches — is based on a work owned by the Rosenbach Museum and Library, a print called The Headache by 19th Century caricaturist, illustrator and social satirist George Cruickshank.
Chagoya, who was born in Mexico, educated in the US and now teaches at Stanford, was in residence at Rosenbach where he selected from among their vast holdings of Cruickshank’s works to make one piece that reflects his take on the current discussion about health care reform.
A small exhibit of works by Chagoya and his 19th Century counterpart Cruickshank was on view briefly in February at the Rosenbach where, over one weekend, the public was invited to come in, take a look, hear the artist speak about his work, and participate in a watercolor workshop to hand-color a black and white offset print version of Chagoya’s The Headache. I picked up the offset print, a great giveaway, and took it home thinking well I may or I may not color it in. It’s pretty great just as it is. I gave it to Stella who is also unsure if she will color it in or leave it black and white.
The fragile Cruickshank works are now back in the Rosenbach archives but I’m told if you want you can make an appointment to see them by calling Elizabeth Fuller at the Museum at 215-732-1600, ext 115. And good news for those of you who like giveaways, the Print Center has a pile of the black and white Chagoya prints — available free — in the gift shop.
The Chagoya residency at Rosenbach is another example — like those of Duke Riley at the Historical Society and Pablo Helguera at the Penn Museum — of how Philagrafika has made some great new work happen here that wouldn’t have happened otherwise.