When we were in town for the art fairs, Cate and I made a stop at Howard Scott Gallery (closed in 2017) for the opening of my friend Ron Klein‘s show of new work. Ron is a trained artist and long-time respected teacher, but he’s also a self-taught explorer and anthropologist whose trips to the Amazon, Madagascar, Myanmar and elsewhere fuel his nature-rich and human-focused art.
Like Audubon going into the wilds to discover the species of North America, Klein is intrepid and something of an Enlightenment man with a need to study first-hand those far off territories and peoples. While he hasn’t shown them yet, Klein has been taking video footage of the tribal elders he encounters on his trips, asking each one questions about their culture and beliefs (e.g. where do you go when you die? what happens when there is a dispute over land or possessions?).
The artist and his family (yes, it’s a family enterprise — and these are not Club Med trips) recently went to Puerto Rico and to the equatorial region of Latin America (Ecuador/Peru) where they spent time with native people and collected the seed pods, vines and other forest floor materials for Ron’s art.
You can see from the show that the artist makes the unruly ruly, coupling the natural material with scraps of industrial material he scavenges or finds at flea markets. Pinned to the walls, Klein’s works are controlled explosions of energy and matter.
Like a scientist, Klein steps back from his material presenting the coupled porcupine quills and baseballs in ways to be studied as well as appreciated aesthetically. His art reflects a fascination with what exists within reach and what can only be imagined. Out of Gravity is up until April 3.
