Fletcher Williams III’s work demands that we confront uncomfortable facts about both our present and our past, reflected in these lost lives and blighted neighborhoods. The façades depicted in Beyond the Rainbow hint at the individuals who lived there and the community that struggles to survive against the twin challenges of poverty and racism. Jonathan Green’s site-specific Porgy Houses likewise ask us to reflect on black history in Charleston and the whitewashed present.
Read MoreActivating the unique Kensington industrial warehouse annex with sound, Botello and other sound-artists-in-residence are filling the Icebox’s white cube with unusual sounds during the year of 2016. In contrast to Jane Carver’s analog performance, Botello and the others are “painting” multiple sound images in the Icebox using digital computer software and electronic voices. Echo, feedback, movement, and tonal reduction in the high-ceilinged cinder-block and concrete space make sound almost physical, palpable, synesthetic.
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