“We Do What We Do” is a group show at Spillway Gallery connecting work by artists with a traditional training and artists who have intellectual disabilities and make together in a studio called the Center for Creative Works. Chip discusses how “the perceived barriers between these two segments of the creative population are demolished,” he says with a unifying theme of pattern and order, something we could all use a little more of at the moment.
Read MoreOur Paris correspondent, Matthew Rose, continues his stateside journey through the West Coast, reporting on the Seattle Art Fair and the Western ambiance he found in some of the art in that Pacific coast city.
Read MoreWith the country in state of high turmoil after recent neo-Nazi demonstrations in Charlottesville, VA, and the President’s apologia of the alt-right and attack on peaceful demonstrators, Michael Lieberman’s review of the documentary film, “Whose Streets?,” about Michael Brown’s murder by police in Ferguson, MO, adds relevance to the discussion about institutionalized racism.
Read MoreIlana reviews the larger than life oil paintings of Lynette Yiadom-Boakye currently on view at the New Museum. Considering how Yiadom-Boakye’s work is in close dialogue with historical European portraiture, Ilana tells us more about her inspiration, and how she came to choose her subjects.
Read MoreThis week Matthew Rose takes us to a contemporary arts district in Vancouver called The Flats, and reviews the vibrant work of Fred Herzog and Karin Bubas. He tells us about the wonders of the Vancouver art community as he details the current exhibitions at Equinox Gallery and Monte Clark Gallery. Along the way he expounds on the current threat of condos and new construction to their neighborhood, a perilous trend that we also find here in Philadelphia.
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