Roberta writes about the new Errol Morris documentary on a trailblazing portrait photographer who made her career through a couple good breaks and a strong sense of optimism that she could do it all.
Read MoreThe Woodmere Annual is a juried exhibition open to artists living within 50 miles of the Chestnut Hill art museum. In it’s 76th year, Woodmere Art Museum selected a timely theme, and they “invited artists to submit work that contends with the importance of art in an era of heightened political uncertainty.” The exhibit is juried by Harry Philbrick who is the Founding Director of Philadelphia Contemporary. Michael Lieberman tells us more.
Read MoreBegun in 1955, the quinquennial art festival, Documenta, in Kassel, sprawls across the small German city in venues large and small, some easy to find and some, more challenging. Documenta 14, this year’s version, involves multitudes of artists and two cities, Kassel, Germany and Athens, Greece. The curatorial theme is displacement, dispossession, power, colonialism and restitution. Some art lovers feel that theme personally, as they struggle to find the art, get lost and experience their own lack of power. Roberta visited and reports.
Read MoreDonald Hunt reviews the new resident ensemble for Bowerbird, Arcana New Music Ensemble. He details the group’s incredible stylistic range while introducing us to a few of its members, and speaks to the acoustic richness of University Lutheran Church.
Read MoreAndrea reviews “Visionaries: Creating a Modern Guggenheim,” curated by Megan Fontanella, with artwork from five collectors whose gifts to the museum helped the Guggenheim define itself as a pioneering institution. A rare chance to see beautifully-conserved works by Modern masters like Brancusi, Pollock, Mondrian, the show is a must-see this summer, says Andrea.
Read MorePaul Cava’s Variations, sensual photo collages and prints at C. R. Ettinger Studio up until July 15, are filled with passion, romance and eroticism, and while they encapsulate a perhaps simpler past, Cava’s manipulations add a nice contemporary lens through which to consider human flesh, blood, desires and spirit. Michael calls the work gutsy, and we agree.
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