Our contributor Janyce Denise Glasper experiences her first Miami art fair in December, 2023, and zeroes in on the diversity she finds. Enjoy this post and the names that it sheds light on.
Read MoreCorey Qureshi reviews a three-person exhibit at Cerulean Arts, saying that the works take you “down any number of undefined paths,” suggesting that if you have some time to ponder it is worth your while to do so. The exhibit is up to Feb. 25, 2024, so hurry on over!
Read MoreKatie Dillon Low writes a terrific piece on the “(re)FOCUS: Now” exhibit, one of two exhibits at the Galleries at Moore College of Art and Design; the other is “(re)FOCUS: Then” (with artists from the original 1974 exhibit).
Read MoreCorey Qureshi encounters a ferris wheel in Practice Gallery whose “riders” on the wheel are stand-ins for life’s greater and lesser moments, with an implied poke at industrial capitalism and war.
Read MoreSharon Garbe travels to Bethlehem, PA, to the The National Museum of Industrial History for an exhibit of works carved out of anthracite coal, a material once-mined in the region and known now as a major source of pollution when burned for fuel to heat houses and factories.
Read MoreCorey Qureshi reviews the eight-person, open call exhibit, Present Tension, at Automat, and says that it’s “…a cohesively curated and fun small (yet somehow large at the same time) exhibition that examines contemporary relations.”
Read MorePete Sparber sees Joe Boruchow’s solo exhibit at Space 1026 and comments that there is “something beautiful and sublime in Joe’s very particular black and white graphic signature.” The show is up through Jan. 26, so make your way up North Broad St. to see it before it closes.
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