Logan Cryer sees ‘Data Nation’ at the National Liberty Museum, an exhibit with lots of A.I. in the background, and notes that unlike in other museum, the didactic material is the focus, with the art as a processor of the scientific information — and how that works well here.
Read MoreCorey Qureshi visits Big Ramp in North Philadelphia for ‘Death Card,’ the inaugural exhibit. The gallery is a project of Jacob (Chris) Hammes and others, following the “death” of Pilot Projects, Hammes’s former and beloved experimental space.
Read MoreMaxwell Van Cooper sees the six-person group exhibit ‘minor details’ at TILT Institute. An exhibition that takes off from the idea of an archive, the show is in part a collaboration or, even more-so, a response to curator Rami George’s archival work, “Untitled (minor details).”
Read MoreMiles Orvell goes to New Jersey to see Ellen Harvey’s ‘The Disappointed Tourist’ and cant get it out of his mind. Miles salutes Harvey’s crowd sourced project for the “universality of her major theme — precarity and loss.
Read MoreJanyce Denise Glasper’s trip to Miami’s Art Basel and the allied fairs, Untitled and Prizm was lightning fast and filled with eye treats. Janyce highlights examples of diversity in the fairs.
Read MoreOur contributor Janyce Denise Glasper experiences her first Miami art fair in December, 2023, and zeroes in on the diversity she finds. Enjoy this post and the names that it sheds light on.
Read MoreCorey Qureshi reviews a three-person exhibit at Cerulean Arts, saying that the works take you “down any number of undefined paths,” suggesting that if you have some time to ponder it is worth your while to do so. The exhibit is up to Feb. 25, 2024, so hurry on over!
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