Lane Speidel sees Anne Minich’s show of her iconic “head” series at Commonweal Gallery, created over the course of almost 50 years. In this poetic review, Lane says the experience of the works is utterly singular and comments, “Minich’s figures are both falling down a well and rising from it. Slipping behind the veil and pushing them aside. The inherent hubris of painting matched with the negation of idolatry.”
Read MoreOur reviewer, Corey Qureshi visits Pentimenti Gallery and comments on the exaggerated flat-land depictions by Azadeh Gholizadeh and over-the-top through the window scenes by Amy Boone-McCreesh, saying that the two-person pairing is “colorful, fun and full of ideas to pursue beyond the images themselves.” “The World Around Us is at Pentimenti until October 28, 2023.
Read MoreKatie Dillon Low has an encounter with many ideas about technology at the show ‘echo broadcast’ at Practice Gallery. The group show spans work that deals with the eco-concerns of the plastics and heavy metals in electronic devices; to our technologically addicted society’s isolation behind our screens.
Read MoreHi, a few weeks ago I visited the Magic Gardens to pursue seeing George Rodriguez’s work after having seen it in the Tyler School of Art Ceramics department. The solemn stares of the figures carry over into all that George makes and his work always packs a punch making the viewer bring down their guards and engage. The show In Unison: Ceramic Sculptures by George Rodriguez is up until September 10, 2023 go see it if you have a chance! And if not be on the look out for George Rodriguez.
Read MoreAndrea Kirsh visited the Museum of Fine Arts Boston this summer and her review explores the mass appeal of Hokusai’s wood block prints, explaining the evolution of the ubiquitous “Great Wave” image and it’s steps towards contemporary representations.
Read MoreBranche Coverdale’s exhibit at Paradigm Gallery and Studio has paintings that are funky and “in a semi-nostalgic register,” says our reviewer, Corey Qureshi. Corey concludes that the works “use modern sensibilities to depict potentially (probably) past tense moments.
Read MoreKatie Dillon Low sees a curated exhibit at Atelier Art Gallery in Brewerytown and loves it. Anchored in the works of Anne Minich, Katie says the show is balanced, with much to offer all tastes.
Read MoreSharon Garbe sees the works of Quentin Morris at Arcadia University’s Spruance Gallery and calls the monochromatic work nuanced and riotously quiet.
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