The current Philadelphia weather could not be more apropos for Automat’s light-hearted collective show titled, It’s the Humidity that will Kill You. Curated by Scott Schultheis and C.J Stahl, the exhibition brings together works that attempt to capture the heavy and almost tactile weight of late-summer heat.
Read MoreWhether you know his name or not, you have absolutely seen the work of Tom of Finland (Touko Laaksonen, 1920-1991). His depictions of thick, muscled bodies with their bulging thighs and arms; high pectorals and bubble butts; and sweet Teutonic faces playing the role of every desirable type of macho man under the sun have exaggerated the male ideal to comical proportions.
Read MoreThe Light Room’s 5th Annual Summer Photography Exhibition demonstrates the daunting curatorial challenge of presenting a coherent exhibition of the work of eight photographers working without an organizing theme. I do not think that the members of the Light Room and the 3rd Street Gallery have accomplished that, but there are some wonderful pieces here, and obviously a group of talented and skillful photographers.
Read MoreHolland has headlined at major concert halls, jazz clubs and cabaret rooms, in addition to performing in theater, developing a diverse fan base in the process. Her previous studio album, Before Love Has Gone, received acclaim from jazz, pop, and cabaret critics alike, and made the critic’s list as a Top CD of the Year at USA Today and as an Album Pick by All Music Guide.
Read MoreThe turnout for opening night was quite impressive. The entry line stretched for more than a block. The venue was a bit odd: the CenturyLink Field Event Center, which sits in the shadow of CenturyLink Field, where a Seattle Mariners evening game was in progress, literally over our heads.
Read MoreWe may think we know what we mean by the term “contemporary art,” forgetting that all art of the past was contemporary to its own time.
Read MoreIvey’s work leaves a lasting impression of concern for the true victims left to suffer following nuclear warfare. Amid the sculptures depicting skeletal remains and an overturned tricycle at the center of the room, it is safe to say that Ivey sees the negative impacts of these events as all-encompassing.
Read MoreThe monochromatic, intricate world that Fensterstock created in “Colorless Field” with thousands of strips of cut paper, polished plexiglass, and crushed charcoal suggests that creation of the universe was an immense, complex, laborious evolutionary task if it was not accomplished with a magic wand.
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