Dereck Stafford Mangus reflects on moving from Boston to Baltimore, and into a building clad in Formstone. Dereck compares Formstone’s shaped-stucco facades to art forgeries, calling them “urban kitsch.” But he’s learned to appreciate them as part of what makes Baltimore …Baltimore!
Read MoreMandy Palasik and Kemuel Benyehudah spent a large part of the pandemic working on a collaborative piece about issues of sustainable design and public space, and we’re proud and excited to present their dialog on the complex issues.
Read MoreThe new book, Hotel Chelsea: Living in the Last Bohemian Haven by Colin Miller and Ray Mock tells of current residents and their struggle with the Hotel’s developer-owners and explores the history of this artistic incubator-cum-living space.
Read MoreMichael Lieberman reviews Pulitzer Prize winner Inga Saffron’s ‘Becoming Philadelphia.’ The book, a selection of the architecture critic’s Inquirer articles from the past 20 years, tells an intricate story about Philly’s 10 year tax abatement and construction boom– both its part in revitalizing the city, and its part in harmful gentrification and increased inequality.
Read MoreIn a new series “Art following epidemics” triggered by thoughts during the COVID-19 pandemic, Andrea Kirsh refers back to her field of Art History to examine art made during or after other epidemics.
Read MoreDereck Stafford Mangus shares his thoughts on current trends in urban development and the connection with Brutalism and Legos.
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