Gustavsen arrived in Philly with his trio–longtime drummer Jarle Vespestad and German-Afghan vocalist Simin Tander–to perform cuts off his new album entitled “What Was Said.” The musicians served up a diverse platter of musical and linguistic customs. Gustavsen’s understated piano playing sounded like lights flickering on and off (each key actually lit up each time it was touched!), drawing us in closer to observe what was taking place. Just as subtle was Vespestad, who drummed with beautiful restraint while exploring the percussion’s range.
Read MoreWhat will the future bring? Will it be bliss or apocalypse? Imagining the future has always been a means of actively processing the history of the present. In 1895, H.G. Wells’ novel The Time Machine critiqued labor and class conditions of the day by transporting his protagonist to a future ruled by bloodthirsty proletariat mutants feeding off the waifish decedents of the aristocracy. In the racially charged climate of 1966, Gene Roddenberry’s Star Trek envisioned a future where the races worked side by side to seek out new civilizations and new sexual conquests. Perhaps most strikingly of all, in the 1980s and ’90s Octavia Butler provided an alternative to the stagnantly white male visions of the future and created stories that were sculpted by the past and current oppression of women and blacks. So for this week’s Reader Advisor I offer few links that examine how we shape the future and how our projections shape the here and now.
Read MoreDespite all the technical know-how that goes into producing this work, there is something distinctly painterly about Portlock’s approach to image-making. and his futuristic landscapes owe a great deal to the golden age of American landscape painting in the nineteenth century. What separates Portlock’s work from the Hudson River School’s optimism is the artist’s pragmatic engagement with the difficult issues facing many American cities in the 21st century, such as the growing socioeconomic divide between rich and poor, the housing crisis, and environmental degradation. He presents a vision of Philadelphia that is terrifyingly realistic, for depending on where you live, litter-filled streets and boarded-up buildings are all too familiar. As a new resident, I still see the scars of poverty and gentrification that crisscross the city, but exposure and familiarity can blunt the impact of painful reality. Bringing together historical references, contemporary issues, and digital technology, he helps us to see our city with new eyes.
Read More“Maggie’s Plan” is a pleasant, intriguing film. Greta Gerwig stars as the Greta Gerwig we met in “Frances Ha.” But the other two actors, Ethan Hawke and Julianne Moore, play abstruse academics as successful writers. The film postulates that their characters are more intelligent than the Gerwig character. Moore with her Danish accent might be based on writer/director Rebecca Miller’s mother Inge Morath. Hawke might be said to resemble her father Arthur Miller. Who, ergo, is Greta Gerwig but–Marilyn Monroe? She’s no Greta Garbo. The film’s a screwball comedy that makes me speculate. And of course Miller is married to–Daniel Day-Lewis.
Read More4050 Apartments is a residential project for low-income artists and others.
Once completed, this three-story building will contain 20 one-, two-, and three-bedroom apartments that offer flexible layouts and large windows. Residents will have access to a community room on the ground floor that will also be a site for arts and educational programming open to the public
Hello everyone. Your Reader Advisor is back after a long hiatus. I wish I could be returning on a happier note but unfortunately that doesn’t really seem possible any more. After 49 people were simultaneously murdered last week for being themselves, myself like innumerable others, have been feeling a lot of feelings. In fact sometimes I get the impression that the only time our country really collectively “feels” or expresses emotions is after a mass shooting or a mass sporting event. But these outpouring of emotions have become so routine that even politicians are calling into question our sincerity. So this week I offer an examination of how our collective expressions of grief (and love) are coming under new and important scrutiny.
Read MoreWith Eighth Blackbird closing out the LiveConnections season, we can now look to the 2016-17 season. One concert to watch for in the upcoming season is bassist John Patitucci and the Daedalus Quartet’s performance next April. In the meantime, Eighth Blackbird’s concert not only left the audience anticipating their next bold, musical statement, but also LiveConnections’ exciting and much-needed programming.
Read MoreWhen Daniel de Jesús performs he looks just like a painting of the Virgin Mary or a statue of a saint come to life. He wears a blue silk robe and his blue and purple eye make-up runs down his cheeks like tears. His voice resounds in unison with the cello between his knees; a drum machine may keep time or offer up haunting sounds.
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