Katie Dillon Low has an encounter with many ideas about technology at the show ‘echo broadcast’ at Practice Gallery. The group show spans work that deals with the eco-concerns of the plastics and heavy metals in electronic devices; to our technologically addicted society’s isolation behind our screens.
Read MoreMiles Orvell says the show at Cherry Street Pier with works by Laurence Salzmann reveal a wide-ranging body of works, from ethnographic and documentary photographs from the artist’s anthropological visits in Romania, Peru and elsewhere, to his more abstract photographs that weave together landscape and suggestions of the human presence.
Read MoreSharon Garbe spends time with Glen Foerd Artist in Residence, Sarah Peoples, and writes about Peoples’s theatrical tableaux on the wooded and grassy grounds outside the mansion.
Read MoreKate Brock interviews artist Jane Irish days before new exhibition Eureka: New Works by Jane Irish opening at Locks Gallery. They speak about Vietnam War Veterans Against War, Edgar Allen Poe, and Artist’s roles for the future. Read the interview then see the exhibition and share what you think with us!
Read MoreHi, a few weeks ago I visited the Magic Gardens to pursue seeing George Rodriguez’s work after having seen it in the Tyler School of Art Ceramics department. The solemn stares of the figures carry over into all that George makes and his work always packs a punch making the viewer bring down their guards and engage. The show In Unison: Ceramic Sculptures by George Rodriguez is up until September 10, 2023 go see it if you have a chance! And if not be on the look out for George Rodriguez.
Read MoreI met with five members of Grizzly Grizzly on Zoom, at the time when they had just deinstalled the show by David Herbert and were prepping the next exhibit, Freed from Necessity, a two-person show featuring the work of Philadelphia-based sculptor Matthew Speedy and interdisciplinary artist Halo Lahnert. Grizzly members Erin Boyle, Amy Hicks, Diedra Krieger, Connor Longo and Jayne Struble participated in the conversation.
Read MoreAndrea Kirsh visited the Museum of Fine Arts Boston this summer and her review explores the mass appeal of Hokusai’s wood block prints, explaining the evolution of the ubiquitous “Great Wave” image and it’s steps towards contemporary representations.
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