For many middle-upper class people who experienced (or have relatives who experienced) the booming financial glory and suburban development of post-WWII USA, Becky Suss’ paintings may look just like home. Or, for anyone in love with mid-century modern design, they may look like your dream home.
Read MoreBehind a hidden doorway down a back alley in Clerkenwell, London, a small but succinct show brings together a remarkable range of meditations on one of our most integral yet subtle cognitive tools: the line.
Read MoreBayside Revisited is Gabriel Martinez’s elegy, and perhaps also his eulogy, to a rare place and to a community where gay men were free openly to express their sexuality in the early 1980s. The exhibition is a celebration of that place and that freedom, tragically punctuated by the devastating epidemic of AIDS, which killed thousands of gay men in the decade that followed and derailed an emancipating sexual revolution that had flourished with promise in the 1970s.
Read MoreHe died, as he wanted to, in the barn that he—with help of so many former students—had rebuilt into a home, surrounded by several of his new paintings on the walls, sleeping between his wife and his son, breathing peacefully at last.
Read MoreTwo from Artblog and The St. Claire! We are partnering with The Print Center as part of their 100th birthday celebration. We’re producing two events–an art writing workshop and a Live Review Panel, the debut of a new program in which we convene artists and writers to talk about shows and issues in the community.
Read MoreIn The Past is a Foreign Country, Francois-Xavier Gbré uses architectural photographs of West Africa and elsewhere to bring us face-to-face with failed construction projects that came from the mouths of politicians and CEOs who promised prosperity but failed to deliver.
Read MoreEnter Bridgette Mayer Gallery–a space well known for its contemporary displays of landscape, photography, and the modern medium–and home to Experience of Place. The current exhibition highlights the works of Eileen Neff and Sharon Harper (Bridgette Mayer veterans), Jessica Backues, Michael Eastman, and Brea Souders, and creates a dialogue between five different artists translating their vision of place.
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