In 1948, The New Yorker published a story about idyllic small town America where everyone knows everyone’s name. Each year those names are placed into a box and townspeople gather as one name is retrieved and the owner of that name is then publicly stoned to death. The story is The Lottery, and it remains Shirley Jackson’s masterpiece.
Read MoreIn anniversary news, Drexel is celebrating 125 years, with a show that displays some historic geeky and cool objects, like the Mac computers (shown above) that the school (and some of us geeks) used back in the day. More information at the show’s website. The exhibit is up now through March 19 at the Leonard Pearlstein Gallery.
Read MoreIn contrast to the typical fear associated with this day, the Daedalus Quartet embrace it wholeheartedly, using the day itself as inspiration for their sold-out concert program of mostly new works in the Penn Museum’s Chinese Rotunda (co-presented by the Penn Music Department and Bowerbird).
Read MoreToday we have many things to contemplate. Whether out and active or quietly staking out your own territory for action, here are three links with material worth contemplating. Thank you, Matthew Rose, for passing along the Artsy link.
Read MoreWhat Kallat seeks to explore in “Covering Letter” is a near miss between two of the 20th century’s most influential minds. This juxtaposition of these two is a near-collision of worlds, east and west, right and wrong, peace and war. One had spoken and maybe one had listened. The viewer is left with this—what could have been, what could be.
Read MoreThe film captures the mood of sorrow and pain, and the quest for freedom, that has always marked the plight of the refugee, and which surely marks the tragic plight of the 65 million people who recently have been forced to leave their homes around the world. It is well worth five minutes of your emotional time.
Read MoreIn Jonathan Lyndon Chase’s paintings, faces go from cartoony (masks, he says) to realistic. The subject is the body, the black male body, the black queer body. Jonathan, who got his MFA from PAFA in 2016, is soft-spoken but intense. Easy to talk with and direct in his answers, no BS. Four of his works are in the current Fleisher-Ollman exhibit, up to Jan. 28. Among other things in this conversation, Jonathan talks about his materials. His works are filled with materials-brio.
Read MoreIn case you’re not familiar with the “no sitting on the walls” signs in Rittenhouse and the blowback they have received from citizens insulted by the attack on the public space, read Inga Saffron’s comprehensive and broad-thinking piece about private groups and public spaces. And if you want to bring your body to the scene, today at Noon – 1PM is the Sittenhouse Sit-in.
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