Andrea Kirsh travels to Rowan University for Wendel White’s exhibit ‘Folding Time,’ which she calls powerful.
Read MoreRoberta sat down with artist and gallerist Nancy Herman to talk about her multi-faceted art, her gallery and her quest to make art that is musical, to make the colors be music itself. Enjoy this wide-ranging chat that took place a while ago but is fresh and topical today!
Read MorePete Sparber sits down with the Kindred Collaborative to discuss the group’s collaborative paintings, debuting at PII Gallery on Oct. 4, 2024.
Read MoreArtblog’s new contributor, Alicia Link, sees an exhibit at AUTOMAT that raises thoughts about the weight of things, emotional, physical and even institutional, calling attention to the fact that the five artists in the exhibit, who are very involved in the Philadelphia arts community, have also been faculty, staff or guest critics at PAFA, whose weighty decision to close their degree programs left many reeling.
Read MoreBlaise Tobia sees an exhibit at the Episcopal Cathedral in West Philly and comments that the show is well worth seeing, “for the quality and variety of the works on display.”
Read MoreAndrea Kirsh sees an exhibit by Nancy Hellebrand at The Print Center and found the exhibit, “beautiful and surprising, revealing and provocative, and likely to resonate in memory long after viewing it.”
Read MoreVriddhi Vinay visits ‘Power/Play’ at Twelve Gates Arts and says the multi-media exhibit is “as aesthetically flamboyant as it is educationally daring.”
Read MoreLogan Cryer writes about Jayson Musson’s exhibit of new quilted wall works at Fleisher-Ollman, and says their materiality must be considered. With the use of many visible stitched lines factoring into the pieces and their reference to Gees Bend quilts to be noted, the work raises questions.
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