This year’s Schomburg Symposium will be in Taller’s brand new building. If you haven’t been up to see it, be prepared to be impressed. The topic is Sports and Blackness, a topic fraught with a difficult history that continues to the present. More information below.
Read MoreFjord’s gallery is brimming with Freedman’s assorted colorful papier mâché and found object sculptures that exist in constant dialogue with his ideas, stories, and sketches; they are the physical manifestations of his ceaseless cerebral exercises.
Read MoreDescendants of trash pickers and connoisseurs of the found object, wearing overalls and hard hats, and “interrupting the waste stream,” the RAIR artists turn trash into artwork of one sort or another, and challenge our perceptions of the discarded.
Read MoreArt that wants to be small – how intriguing. But isn’t it a strange notion, one that you would probably not consider unless you were thinking about extremes of size?
I want to say that art works (or not) based upon a myriad of factors, size being only one of many. But here we have eighty-five works of art — a multiplicity of viewpoints, media and materials – that actually work well together and, for reasons that I think are idiosyncratic, want to be small.
Read MoreBy controlling the atomizer, the thing that makes paint into microscopic droplets, the street artists were fighting the atomization of modern man. It was a rebellion against the psychic colony—f–k your copy! It’s what EKG touches on his “Technologies of Human Nature,”a wall-sized hierarchical chart created on black paper with orange oil sticks. He attempts to summarize street art’s ideological foundation, when he writes “bomb the semiotosphere!”
Read MoreIn anniversary news, Drexel is celebrating 125 years, with a show that displays some historic geeky and cool objects, like the Mac computers (shown above) that the school (and some of us geeks) used back in the day. More information at the show’s website. The exhibit is up now through March 19 at the Leonard Pearlstein Gallery.
Read MoreThe film captures the mood of sorrow and pain, and the quest for freedom, that has always marked the plight of the refugee, and which surely marks the tragic plight of the 65 million people who recently have been forced to leave their homes around the world. It is well worth five minutes of your emotional time.
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