Artblog contributor Mary Murphy sees the multi-media exhibition of Virginia Maksymowicz at Rowan University Art Gallery and reflects that delving into the past is a way to come to terms with the present: “At a time when we are so focused on the dubious future of humanity, from our possible extinction via climate change, violence, and war to our gradual replacement with 3D laser-cut body parts and genetically manipulated DNA, it’s refreshing to see work about our past: it extends and broadens the context for considering what it means to be human at any given time.”
Read MoreA gallery move to Fishtown by Wexler, and an Executive Director change at MAP, the performance art funder, remind us that the art world is filled with change, some of it great, after a pandemic from which we are all still reeling.
Read MoreOur new contributor, Martina Merlo, sees a two person exhibit at Tiger Strikes Asteroid and is excited for the dialog the two artists’ works enter into that deal with the end (or not) of image making.
Read MoreRyan takes his children to see the new AR piece by Eto Otitgbe at “The Cut” and at Asian Arts Initiative. The exhibit and project, “Invasive Species,” raises issues about urban habitats, invasive species and climate change, while allowing the viewer to imagine different realities. AAI’s annual block party and live outdoor programming happens this weekend, Sat., Oct. 7 and Sun., Oct. 8. More information and links in Ryan’s post.
Read MoreLane Speidel sees Anne Minich’s show of her iconic “head” series at Commonweal Gallery, created over the course of almost 50 years. In this poetic review, Lane says the experience of the works is utterly singular and comments, “Minich’s figures are both falling down a well and rising from it. Slipping behind the veil and pushing them aside. The inherent hubris of painting matched with the negation of idolatry.”
Read MoreOur reviewer, Corey Qureshi visits Pentimenti Gallery and comments on the exaggerated flat-land depictions by Azadeh Gholizadeh and over-the-top through the window scenes by Amy Boone-McCreesh, saying that the two-person pairing is “colorful, fun and full of ideas to pursue beyond the images themselves.” “The World Around Us is at Pentimenti until October 28, 2023.
Read MoreThis year saw leadership changes announced at several Philadelphia arts organizations – Brandywine Workshop and Archives (BWA), Association for Public Art (aPA), Fabric Workshop and Museum. After extensive searches, BWA and aPA have announced their new leaders. Read on for more. Also, a great opportunity at iMPeRFeCT gallery. I hope you’re enjoying the recent change in weather. Enjoy the news!
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