Artblog | Museums

January 22, 2017 by Donald Hunt

Daedalus Quartet transcends Friday the 13th

In contrast to the typical fear associated with this day, the Daedalus Quartet embrace it wholeheartedly, using the day itself as inspiration for their sold-out concert program of mostly new works in the Penn Museum’s Chinese Rotunda (co-presented by the Penn Music Department and Bowerbird).

January 20, 2017 by Justin O. Walker

Public notice – Jitish Kallat’s Covering Letter at the PMA

What Kallat seeks to explore in “Covering Letter” is a near miss between two of the 20th century’s most influential minds. This juxtaposition of these two is a near-collision of worlds, east and west, right and wrong, peace and war. One had spoken and maybe one had listened. The viewer is left with this—what could have been, what could be.

January 8, 2017 by Justin O. Walker

The master’s tools – Kerry James Marshall at the Met Breuer

From the walls of color in his series that continue throughout the Breuer, to his earlier work, the oversized snapshots, the smaller pieces that take on death, black identity in America, and his deep, painfully humorous comics, Marshall is an artist who has worked and played his way into the all-important arts conversation.

December 31, 2016 by Andrea Kirsh

Forging Mexican Modernism – Paint the Revolution at the PMA

The exhibition clearly demonstrates that the widely-known work of Rivera, Orozco, Siqueiros, Tamayo, and, in recent decades, Frida Kahlo, is but a small spectrum of a much broader artistic scene. It brings up topics such as the tension between work intended for private viewing versus the obviously propagandistic intent of work meant to be seen in public–both murals and inexpensive prints; the Mexican response to European modernism; European, Soviet, and U.S. responses to Mexican art; the tension between a cosmopolitan artistic language which reflects international ideas about modernity versus a local style that draws upon indigenous art, and with that, the ongoing attention in Mexican art to the spectrum of racial difference.

December 29, 2016 by Artblog

The 2016 Liberta Awards!

2016 was a standard year by many measures, with one major difference (ahem you know what that is). Regime change is coming and like most in the art community, Artblog is greeting Jan. 20 with trepidation — and resolve. We are re-committing ourselves to our core mission of diversity — to write about and celebrate the excellence of artists, who are routinely shunned by the mainstream media. The task seems more urgent now than ever.

December 12, 2016 by Justin O. Walker

The specter of ruin – Cubism and War at the Museu Picasso

The exhibit reveals the cubists in Paris were never far from the external specter of ruin, and evidently leery of the internal one. The war to end all wars was only a few hours away, and two of their own had been sent to fight. This is what artists wrestle with, have wrestled with, which is to say we’ve heard it all before: artists respond to their volatile world.

December 6, 2016 by Roberta

Man Bartlett interactive web project and many street performances at Barnes in Feb; History map of West Philly needs you; Advice for DIY space safety; Plus Village of Arts and Humanities, Space1026 Auction, Return of Machete group, and More!

After the Oakland fire, we are all worried about artists in DIY warehouse spaces with their iffy electricals and storage of who knows what kind of art materials. Philadelphia has some spaces I worry about. Here’s an open-source, editable tip guide for making collaborative DIY spaces more fire safe: HARM REDUCTION FOR DIY VENUES: DO IT YOURSELF // DO IT NOW

December 4, 2016 by guest writer

Creative Africa Through the Eyes of an 8 Year Old – 2016 New Art Writing Challenge

I give this exhibit 3 out of 3 wishes, which means it made me wish for three things. It is a nice view of designs. The designs with bright, bold colors are like dresses I have never seen before. They are a fierce combination of a lot of different colors and shapes like chicken heads on straight fabric with a stained glass design on the ruffled fabric all on one dress! I wish there were kids’ fashions in the exhibit, too. I also wish that I could see how they are sold in Africa. What do the shops look like? Who gets to wear these clothes? I wish I could! They are interesting fashions and would make the person wearing them look bold and fierce. Three wishes means it made me imagine 3 things and that is why I love to go to museums!