Artblog Board member, Gilda Kramer and husband Sam Adenbaum discovered a new gallery I am excited to hear about and share with you in case you haven’t heard of it. RASCO Fine Arts shows Latino artists and is a passion project of the owner, explained Lillie Carabello, speaking on behalf of the gallery.
Read MoreOne of the most unconventional places to view art this summer is the cruiser Olympia, docked on the Delaware River. Commissioned in 1895 and now part of the Independence Seaport Museum, Olympia is the oldest steel warship still afloat in the world–and now it is playing host to sculptural installations that show up in the most unlikely spaces, from officers’ cabins to bathrooms to the galley kitchen.
Read MoreArtblog favorite, Anthony (TC) Campuzano, curates a show in his home town of Lansdowne, PA, a Philly suburban town so small you might miss it when driving west out Baltimore Pike. Beyond Cold Polished Stones is a show with a lot of ties to Anthony — his childhood babysitter (and Tyler graduate) is in the show; the architect of his parents’ home is in the show. And on July 4, the artist/curator will be walking in the Lansdowne 4th of July parade — it’s a family tradition (his father is Mayor)
Read MoreI had the wonderful experience of taking a dozen college classmates and their spouses through the exhibition recently. Only one person had any background in art history and none of them recognized the artist’s name. I explained that Irwin’s work takes time–literally, time for the eyes to adjust. They concentrated on the floating sphere bisected by a dark, horizontal line which disappears towards the circle’s margins–and the magic began. The painting creates a series of changing optical effects which it would be useless to try to explain, and because the effects depend upon presence and time, the artist refused to have his work photographed for many years–he has since relented. Anyone who knows Robert Irwin’s work only from reproductions has no idea of what the work is about.
Read MoreThe curated show of paintings, sculpture, video and works on paper from the 1950s to the present is notable for works with fierce pride in Latino identity and for works with unabashed political underpinnings. The show and its catalog shed light on contemporary artists who would stand out in any group.
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