The art historical exhibit pivots around one of the PMA’s blockbuster items, Peter Paul Rubens’ “Prometheus Bound,” a tour-de-force figure painting of the big-muscled god being killed by an eagle in a particularly gruesome fashion. It’s a large painting both beautiful and terrifying, a scene of torture that accentuates the vulnerability of flesh.
Read More“My time at PAFA and in Philadelphia, which has a vibrant and supportive arts community, has been truly wonderful,” Dr. Cozzolino noted. “However, I am thrilled to return to the Midwest where I grew up and to collaborate with my new colleagues at Mia.
Read MoreThe question of web-based collections of digital art could be considered museums has been raised. It’s in the nature of new art to test such boundaries. Are we ready to accept an organization with no physical presence as a museum?
Read MoreThe first Live Review Panel convened by Artblog and The St. Claire (in partnership with The Print Center) assembled smart, articulate panelists, excellent music makers, and an audience of passionate artists and art lovers. What a great night! The panel talk was audio recorded and will be available in the future. Until then, here are my notes from the evening.
Read MoreDave Heath (b. Philadelphia 1931) was abandoned by his family at an early age, growing up in the Philadelphia foster care system. This lack of a true sense of belonging clearly shaped both his need to connect with the world through photography and the sense of longing and solitude that hovers thick in the air around his work.
Read MoreSherman Fleming’s art is personal, performative and quietly confrontational. Amazing, actually. Recently, Fleming said, he did a public art piece in Brooklyn that riffed on those offensive yard jockeys.
Read MoreEastern European artists whose work is known in the West—among them Marina Abramović, Miroslav Balka, Sanja Ivecović, Ilya Kabakov, and Dan Perjovschi—are diverse and extremely interesting, and passing time reveals further significant artists whose reputations have been obscured by the politics of the Cold War. There were many art scenes throughout the East, often underground.
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