In this feature, Andrea Kirsh describes the resources available for artists to inventory, archive, and organize their body of work or “artistic estates.”
Read MoreAndrea Kirsh visits the New Chinese Galleries at the Philadelphia Museum of Art. Kirsh says the newly re-arranged exhibit is educational, aesthetically pleasing, and able to appeal to every type of museum guest.
Read MoreIn her review of Cecilia Vicuña exhibition, Andrea Kirsh calls the works — little cobbled-together objects tacked to the walls or arrayed on a low platform on the floor — marvels. But these objects are not nothings to throw away but objects with magical shadows and poetic meanings, and their mystery delights.
Read MoreWhen an under-appreciated woman artist finally gets her due, you know Artblog will be there to cover it! Here Andrea Kirsh tips her hat to the Barnes Foundation and their major retrospective of Berthe Morisot, on view through January 14, 2019. Morisot, who was one of a small number of female artists at the epicenter of the Impressionist movement, was also a true pioneer of form and technique.
Read MoreIn Part 2 of Andrea Kirsh’s annual roundup of the best in art books, there is something for everyone on your holiday gift list from lovers of figurative painting to abstract sculpture fans. There’s also something for everyone to learn, whether it’s about a previously under-appreciated regional artist or the most famous self-promoter in the history of Modern Art.
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