Each time I visited the space to see “Shotgun Inversion,” fellow onlookers seemed more or less unaware of or unconcerned by its status as a sculptural object. People leaned up against the wall or brushed their fingers against it as they passed, chain-link fence-style. A friend and I hung our arms over the waist-high partition on one side like it was a carnival booth. One visitor wondered aloud what she’d do if she dropped her phone on the other side of the structure.
Read MoreAccording to curator Anthony Elms, Rodney McMillian: The Black Show is an exhibition about transformation. You might prefer to call it an exhibition about flux. It is about fictions, literally literary, with numerous instances of homage to Octavia Butler, and metaphorically historical, as McMillian himself expounded in a preceding interview. It is about mutable spaces, fluid identities, the distance between material and perception, the so-called experience of this ‘reality,’ and the staking out of that reality itself as a constantly undulating landscape.
Read MoreChipaumire announces, “Tired of fighting. Tired of running. Tired of fucking.” The hare bounding over the ropes. The Champion hurling into them, into the ground. Until he, finally, –well, no, you should see it, you should try to feel it for yourself.
Read MoreUpon entering the exhibition, I first confront a large piece of wood with Crayola colored letters spelling out the title of the show. The point of meditation. “The Sun is Just the Place Where the Sun Used to Be.”
Read MoreI lived in West Philly, at 57th St. There was a small ginkgo tree in the back courtyard. It was impossibly hot, I had no money and spent my time at the house, reading, painting, and dreaming of food.
Read MoreDespite all its problems and despite the efforts of artists, increasing concern about addressing pressing issues in Philadelphia could very well overcome its obsession with the past and become a city of the future.
Read MoreSize can create competition in some shows, larger works demanding more attention than small, but these more typical relationships were somehow absent from this show. Holes were drilled into the sides of display armatures, perfectly framing a small Fishman sculpture covered in paint, encouraging the viewer to look. You did not get the sense that you were supposed to spend less time looking at the smaller things.
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