The color combinations of these works create an illusion of depth, opacity, and even motion: the orbs seem to pulse.
Read MoreThe works of Meksin, Sack, and DeMuro are introspective, thought-provoking, and push against some of the boundaries that the curators sought to explore. However, I thought that Kati Gegenheimer’s drawings, although pleasing in their own right, did not fit in.
Read MoreWick’s work invokes feelings about the earth we inhabit, about our fragility and vulnerability, about our fears and our passions, and about what we are doing to the earth and to each other.
Read MoreThe centerpiece of the show is Goodman’s “Untitled,” reproduced here. This to me is Goodman at his finest: the brilliant contrast of light, color, and darkness, the ambiguity of direction, the mysterious, luminescent, transformative power of the cylindrical object that dominates the canvas.
Read MoreWhen you walk into the exhibition, you feel like you are walking into a planetarium or peering through a telescope or microscope, dark matter perhaps beating in the background.
Read MoreYuskavage can seem disarmingly down-to-earth at one moment, and intriguingly ambiguous the next. At one point during the evening she casually remarked: “Sometimes love is a killer for art.”
Read MoreIndependently run artist exhibition spaces play an important role in today’s world of contemporary art. But the public has in large part tragically abandoned them for an art world dominated by big-box commercial galleries, blockbuster museum shows, and mega-mall art fairs.
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