Janyce Denise Glasper sees an exhibit by Njideka Akunyili Crosby in New York at David Zwirner Gallery.
Read MoreJanyce Denise Glasper argues that the late Dr. Samella Lewis’s advocacy for inclusion of those whose lives and art have been overlooked in the art history canon must be carried forward.
Read MoreJanyce Denise Glasper sees the Jean-Michel Basquiat exhibit organized by the beloved artist’s sisters Lisane Basquiat and Jeanine Heriveaux, and calls it strong, meaningful and moving. The ticketed show, in Chelsea, with exhibition design by Sir David Adjaye, OBE, has been extended to Sept. 3, 2022.
Read MoreCalling it Faith Ringgold’s “moment to shine,” Janyce Denise Glasper writes about the experience of spending an entire day immersing herself in Faith Ringgold’s detailed expressive works at The New Museum and ACA Galleries. She comments that Ringgold “invested so much in her brave, revolutionary practice. The audience must perform that same duty to her.” Both shows are up until early or mid-June, 2022. Links and more information at the bottom of this post.
Read MoreProvoked by the placement of Emma Amos’s art at the Philadelphia Museum of Art, an exhibit at the same time as the Jasper Johns exhibit, which seemed to put the Black woman artist’s works subsidiary to the white male artist’s, our contributor Janyce Denise Glasper muses on the two concurrent museum exhibits of Jennifer Packer (at the Whitney Museum and at LA MoCA), and says “Jennifer Packer shifts the narrative to where they (Black artists) can land if given the opportunity.” We hope you enjoy this thoughtful essay by a passionate young writer thinking about the power imbalance in the art world today.
Read MoreOur contributor Janyce Denise Glasper writes an opinionated essay about artists’ placement in museums. Where does Jasper Johns go? Where does Emma Amos? Some artists receive accolades mostly after their death, while others receive praise again and again in life. The art world is still a mostly white world and mostly a white man’s club.
Read MoreFilled with saturated color and light emanating from unexplained places, Jennifer Packer’s atmospheric works suggest a “provocative harmony,” says Janyce Denise Glasper, in her review of the artist’s solo show at LA MOCA. The show is up to Feb. 21, 2022. Packer also has a solo show at the Whitney Museum right now, on view til April 17, 2022. Be sure to catch this rising star, whose approach to figuration is truly new.
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