Art criticism should feel free to miss the point completely and wander off somewhere it doesn’t belong and sleep there on the couch for a couple of days promising it’s leaving this weekend but then why did it leave its toothbrush and bag here? How else is the conversation expanded?
Read MoreI asked my partner, Olivia, what I should read about during New York Fashion Week. She pointed out this evolving story of Alicia Keys and quitting makeup.
Read MoreAre artists special? This seems like one of those big bloated questions that avoids consideration mostly because talking about it would take too long. (Sometimes I feel every artist talk or discussion should begin by asking, What is art?) In one sense, it is a fairly straightforward question–yay, artist are special or neah, artist are not special. Of course, like most seemingly straightforward questions, there is a long and complicated path to the answer–e.g., Are you hungry? It depends. To address this question I want to examine a few of the underlying terms and, perhaps more importantly, explore how this discussion is shaped by tired tropes that are perpetuated by artists and non-artists alike.
Read MoreHead back to school in style this semester with these fashionable links! You’ll be the talk of the campus when you are able to defend labor rights for students and educators, speak intelligently on conservative authoritative administrative tactics, and thoroughly dismantle the industrial educational complex. You never looked so smart!
Read MoreAbramović through her defensive statement is trying to sequester her racism to a past self and exonerate her current self in infallible righteousness. If she claims responsibility, it is at best a weak claim that belittles the simple and inescapable truth–the racism that produced her journal entry all those years ago is a part of white identity. A terrible truth that needs confrontation, acceptance, and action–not negotiation or qualifications.
Read MoreFor me, the ‘how’ and ‘why’ of our artist-run projects felt most urgent when fed into a rightly inescapable question of: but for whom? Or more specifically, what is the responsibility of an artist project? To whom are we responsible?
Read MoreI’ve been watching a lot of The Office (U.S.) lately. The heavy heat and caustic politics of the summer demanded a light touch and comedic reprieve. For me, the driving conflict of The Office was always the quiet struggle of the Dunder Mifflin employees to remain human in an inhuman environment. Their work world is formed by a toxic and invisible atmosphere designed to suffocate any and all aspirations to dignity, compassion, and individuality.
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