Roberta views Pepón Osorio’s 1995 installation, “Badge of Honor,” in a North Philadelphia community center and calls the piece a poignant exchange between the father and son, in which neither can hear what the other is saying, separated by an unbridgeable space.
Read MoreRoberta writes that Lynne Woods Turner’s works “require you to slow down and look close. The payoff comes in discovering the playful interaction between line and paper.”
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