Beth Heinly wears a lot of hats. (And sometimes funny noses, eyebrows and glasses.) In addition to being a performance artist (see her Friday, March 29 at Final Fridays at the PMA), Beth is one of Artblog’s “Ask Artblog” columnists. And, of course, she creates the weekly comics series, “The 3:00 Book,” now in its fifth year of continuous postings on Artblog! Morgan and Roberta caught up with Beth at the Blue Jay Diner recently and asked her how she does it all. The interview is 25:05 minutes long.
Read MoreIlana Napoli visits New Orleans and sees an inspiring exhibition by Brandan “B-Mike” Odums (artist, filmmaker, educator, founder of 2-Cent, a youth arts education initiative for black children in the south). The solo show, called “Studio BE” is an ongoing project that is a tribute to black history/culture and resilience in post-Katrina New Orleans communities, opportunity.
Read MoreRoberta speaks with the Director of the List Gallery, Andrea Packard, about “Branching Out: Changing Approaches to Art in Wood,” the current show, co-curated by Andrea, and the Center for Art in Wood’s co-founder, Albert LeCoff and his wife, Tina. The large exhibition, from the collection of the LeCoff’s and the Center, presents a wide variety of works made of, with and about wood. The exhibit closes Sunday, March 24, 2019. The podcast interview is 30:54 minutes long.
Read MoreSamuel Brown reviews “Knowledge Lost” at Gallery 1201, by the artist collective “Difference Engine,” (John Bezark and Chris Baldys.) Brown says this interactive installation, which prompts you to write a eulogy out of deleted Wikipedia entires on an old computer, is especially impactful when experienced in solitude. The show closes Friday, Mar. 22, so catch it quick before it’s gone.
Read MoreFlora Ward visits BalletX’s Spring Series, reviews the three pieces in the program and articulates the show’s highlights and a few shortcomings with poetic descriptors. She applauds the shadowy finale, which left her speechless. This series ended on March 17th, 2019, so make sure to catch BalletX’s Summer Season, coming up July 10-21.
Read MoreIn this commissioned essay, Logan Cryer expresses their thoughts about the future of Philadelphia’s art world and about how artists can seize the opportunity to expand and set boundaries in their practice. Thank you to The Common Field for providing the opportunity for Logan and Artblog to contribute to important discussions about the future.
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