Dear readers, today we begin publishing articles by the cash prize and honorable mention winners in the 2017 New Art Writing Challenge. Thank you to all of you who submitted your writing. Co-founder of the New Art Writing Challenge, Matt Kalasky, penned this lovely introduction for you…”I often use the analogy that art writing has become a fixed tool in the service of criticism. Like we are stuck using the same monkey wrench no matter what type of art we are talking about; no matter what type of art viewer we are; no matter what reader we are trying to reach. The winners of this year’s New Art Writing Challenge have, each in their own way, thrown aside the usual tools and have shown us the power of cooked spaghetti — or a flower — or a diary entry to talk about art. The best stopped trying to make sense of the work and started to unravel the art deeper into a personal mystery that epitomizes the experience of two humans looking at each other through art. This contest didn’t generate these new perspectives and manners of looking but rather it has illuminated the spectrum of writing that has always existed. This is an art writing landscape as complex, enigmatic, and empathetic as the art it examines. Get reading!” — Matt Kalasky, Co-founder, New Art Writing Challenge
Read MoreIt’s a lovely lead up to the holidays with some free workshops and concert and news of a huge grant to Village of Arts and Humanities, plus a little newsette ICYMI.
Read MoreTwo good opportunities for you and a great emerging artists show at DCCC with a lecture today by juror, Odili Donald Odita! Also, Harris Fogel’s photographs get 40-year retrospective in Bethlehem.
Read MoreSomeone remarked last week that December is action-packed with openings and events. Well, we agree! And in this News Post, we’ve rounded up three events that caught our eye — and they’re all this week. Turn out and see the art and meet the artists!
Read MoreCarl(os) Roa is back with something brand new for Artblog: a short play! Co-written with Mona Washington, featured playwright for Philadelphia assembled, this work of creative nonfiction tackles an evergreen dilemma for artists of color who operate within mainstream institutions.
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