Chip reviews the InLiquid show, “As By Digging,” at Painted Bride, with three artists whose work digs for emotional truth in personal and other human histories.
Read MoreWit Lopez is a fiber artist, performer and independent curator whose work encourages audiences to touch, manipulate and even wear it. Artblog’s Imani Roach spoke with this former theater kid about accessibility, performing for the camera and confronting their body as a spectacle. Can marginalized artists use humor to subvert their relationship to art institutions? Listen to find out. Imani interviewed Wit at Moore College of Art and Design’s TGMR radio station on December 12th, 2017; the podcast is 34 minutes long.
Read MoreIntrigued by the work of photographer Rosamond Purcell, Michael sees a documentary about the 75-year-old artist, and he is moved and by the images of odd bits of nature and human-made detritus that are her mainstay. He calls Purcell the Diane Arbus of the natural world. The film comes to Lightbox Film Center in March, 2018.
Read MoreArtblog’s new contributor, Mandy Palasik, writes a delightful essay about walking through the late architect Anne Tyng’s house and imagining how the architect lived in the space and how others would live there after her. It’s a very nice essay by Palasik, who is herself an architect. This article was submitted to the Artblog New Art Writing Challenge contest and we are publishing it here with special mention.
Read MoreDear readers, this week we are publishing articles by the honorable mention winners in the 2017 New Art Writing Challenge. Thank you to all of you who submitted your writing. Co-founder of the New Art Writing Challenge, Matt Kalasky, penned this lovely introduction for you…”I often use the analogy that art writing has become a fixed tool in the service of criticism. Like we are stuck using the same monkey wrench no matter what type of art we are talking about; no matter what type of art viewer we are; no matter what reader we are trying to reach. The winners of this year’s New Art Writing Challenge have, each in their own way, thrown aside the usual tools and have shown us the power of cooked spaghetti — or a flower — or a diary entry to talk about art. The best stopped trying to make sense of the work and started to unravel the art deeper into a personal mystery that epitomizes the experience of two humans looking at each other through art. This contest didn’t generate these new perspectives and manners of looking but rather it has illuminated the spectrum of writing that has always existed. This is an art writing landscape as complex, enigmatic, and empathetic as the art it examines. Get reading!” — Matt Kalasky, Co-founder, New Art Writing Challenge
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