“We Do What We Do” is a group show at Spillway Gallery connecting work by artists with a traditional training and artists who have intellectual disabilities and make together in a studio called the Center for Creative Works. Chip discusses how “the perceived barriers between these two segments of the creative population are demolished,” he says with a unifying theme of pattern and order, something we could all use a little more of at the moment.
Read MoreOur Paris correspondent, Matthew Rose, continues his stateside journey through the West Coast, reporting on the Seattle Art Fair and the Western ambiance he found in some of the art in that Pacific coast city.
Read MoreWith the country in state of high turmoil after recent neo-Nazi demonstrations in Charlottesville, VA, and the President’s apologia of the alt-right and attack on peaceful demonstrators, Michael Lieberman’s review of the documentary film, “Whose Streets?,” about Michael Brown’s murder by police in Ferguson, MO, adds relevance to the discussion about institutionalized racism.
Read MoreToday’s news has a couple good opportunities and events. And while we don’t ordinarily promote fundraisers, we call your attention to three on the horizon because they are most worthy.
Read MoreIn this sponsored post, The Center for Emerging Visual Arts tells us about their 18th annual Philadelphia Open Studio Tours (POST) taking place this October.
Read MoreToday’s news brings you a roundup of links to some recent good reads around the Internet, in case you missed it. Read about the Lowline in NY and the Dupont Underground in Washington, D.C. Catch a review of the film, Whose Streets, about Ferguson, MO, (and look for Michael Lieberman’s review of the film coming soon on Artblog).
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