Ilana reviews the larger than life oil paintings of Lynette Yiadom-Boakye currently on view at the New Museum. Considering how Yiadom-Boakye’s work is in close dialogue with historical European portraiture, Ilana tells us more about her inspiration, and how she came to choose her subjects.
Read MoreIn this sponsored post, My Art Broker tells us about their recently published article about the illusive identity of British-born Street Artist, Banksy.
Read MoreRoberta talks about Documenta 14 and the two tours she took with members of the “chorus,” people trained to facilitate discussion and ask questions rather than answer them. The quinquennial art festival is up in Kassel, Germany, until September 17, 2017.
Read MoreNews today includes some terrific opportunities for a program manager job and a couple open calls for exhibitions. Also featured is a mural ending (i.e. the building it’s on is being demolished), a good read and a survey for you to weigh in on your quality of life as an artist in Philadelphia.
Read MoreEarlier this year, Karen Chernick wrote about the missing Royal Theater mural, a history mural on South Street commemorating the legacy of the Royal Theater, a once-thriving black theater where Billie Holiday, among many others, gave concerts. The mural, painted by Eric Okdeh depicted jazz greats who played at the Royal, and neighborhood greats, like Ron Washington, of Ron’s Ribs, a restaurant landmark at 1627 South St., across from the theater. In this podcast, Roberta and Imani Roach (Artblog Managing Editor) speak with Brandon Washington, son of Ron. Brandon talks about the neighborhood, his father’s important role as a community leader and of his own and his brother’s hope to revive Ron’s Ribs in the future in a Ron’s Ribs food truck.
Read MoreMatt Kalasky’s scroll-like graphic essay imagines a brainstorming session about cosplay by people outside of the roles who image (wrongly) how to cosplay.
Read MoreThe small group exhibit, Jarring, creates a contemplative space to memorialize victims of racial hate crimes and to remember our shared humanity. Like great monuments in the public realm the works in this exhibition are accessible to all and valuable as history-telling by artists who care about what history is told.
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