Elizabeth Taylor-Mead of Frieda wrote to say the cafe at 320 Walnut Street, is celebrating the art of octogenarian, Jean K. Hamburg, who has never shown her works publicly but agreed to show a selection of her life’s work and to speak about her work for one afternoon, Sunday, March 19, from 3PM – 4:30PM. The conversation will be between the artist and Anthony Latess.
Read MoreMoving between Dawoud Bey’s Harlem, USA, and Shawn Theodore’s The Church of Broken Pieces, both currently on view at the African American Museum of Philadelphia, is like shifting between worlds. Bey’s photos depict the streets and people of Harlem in the 1970s, a place that to us in 2017 seems like a lost world, his use of traditional documentary black-and-white photography enhancing that sense of distance. Theodore’s larger-than-life, staged street portraits are less documentary than metaphysical or theatrical, evoking a mysterious future through the drama of the set-piece in the street.
Read MoreThese tessellated paintings are naturalistic by an abstractly-expressive-mimetic process, a reconciliation of the human creative impulse with the superior natural forces of creation that encompass it. In other words, Whitten’s work seems to be at an ethereal place, where art production rhymes with the ebb of creation at its highest state.
Read MoreEnjoy this podcast with Douglas Witmer, in which he talks about his community project, “Neighbor Who,” and about his love of art and music, and his family’s roots in the Mennonite community in Lancaster County, where he grew up, although not, he says, driving around in a horse-drawn carriage.
Read MoreBetty Leacraft has been making art with fibers since she was young and learned how to sew from her maternal grandmother. Respectful of those early teachings and thirsty for learning about her ancestors, Betty has studied the fibers practices of her African ancestors and traveled to Ghana. She and her work have traveled to South Africa, as part of the Women of Color Quilters Network, to participate in an international exhibition there. Outside of the art school traditions and acting as what she calls a “cultural custodian,” the artist teaches workshops in fiber art in her West Philadelphia neighborhood and many other places in Philadelphia and has been recognized five times by the Leeway Foundation. Betty participated in the Mural Arts Program’s 2015 Neighborhood Time Exchange program and is part of the PMA’s Philadelphia Assembled project that will debut this Spring.
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