In the cut and paste art world, perhaps the single most influential artist was the German Kurt Schwitters. Galerie Zlotowski, a small Rive Gauche gallery, has brought together 13 small collage and assemblage works, dating from 1918 through 1947, that offer a range of Schwitters’ poetic investigations.
Read MoreFor this week’s Reader Advisor, I was thinking a lot about creating and sharing space and content, and what it feels like for any marginalized group to see yourself represented and acknowledged within those contexts.
Read MoreJOG turns Ten – Congratulations! James Oliver Gallery (JOG) is celebrating their 10th Anniversary! Their celebratory exhibit, JOG10 (up to Nov. 19) features gallery favorites Thomas Paul Raggio, John Wind, Cheryl Harper, Nadine Rovner, Steven Mogck, Dennis Daly, Steven Earl Weber and Mathew Davis, as well as new folks they will be working with: Emily White, and Ira Upin.
Others they will be working with in future are papercuts artist Rosa Leff, featured in Evan Laudenslager’s write-up, Michael Grimaldi, and Kevin Bourgois.
At 91, Lorrie Goulet’s dedication to the carver’s art is unwavering, even though she cannot wield the carver’s tools like she could as a young woman. Throughout a recent wide-ranging conversation I had with her at her home and studio in Chelsea, I was struck by Goulet’s deep commitment to the physical work of carving, its tools, techniques, and materials. Her eyes light up and her gestures become animated when talking about stone, its myriad types, colors, and textures. For Goulet, stone–her primary material–is alive, and each stone has its own personality. “I put my life with the stone’s life,” she told me, following up with “I don’t have many stones left.”
Read MoreIf you haven’t done so you should read Hammam’s essay, Cultivating Competition: A Small Note on the Art Writing Challenge. After reading Hammam’s essay, I wanted to pull out a few points and add a few comments of my own.
Read MoreOne question that emerges is the following: is competition the most progressive way of cultivating an artistic-intellectual community, one that focuses on the reception of artistic initiatives and activities that occur in a particular place?
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