Happy Fourth of July from all of us at Artblog! May all your hotdogs be sizzling and your s’mores runny and sweet. — Love, Roberta and the Artblog Team
Read MoreArtblog favorite, Anthony (TC) Campuzano, curates a show in his home town of Lansdowne, PA, a Philly suburban town so small you might miss it when driving west out Baltimore Pike. Beyond Cold Polished Stones is a show with a lot of ties to Anthony — his childhood babysitter (and Tyler graduate) is in the show; the architect of his parents’ home is in the show. And on July 4, the artist/curator will be walking in the Lansdowne 4th of July parade — it’s a family tradition (his father is Mayor)
Read MoreGustavsen arrived in Philly with his trio–longtime drummer Jarle Vespestad and German-Afghan vocalist Simin Tander–to perform cuts off his new album entitled “What Was Said.” The musicians served up a diverse platter of musical and linguistic customs. Gustavsen’s understated piano playing sounded like lights flickering on and off (each key actually lit up each time it was touched!), drawing us in closer to observe what was taking place. Just as subtle was Vespestad, who drummed with beautiful restraint while exploring the percussion’s range.
Read MoreWhat will the future bring? Will it be bliss or apocalypse? Imagining the future has always been a means of actively processing the history of the present. In 1895, H.G. Wells’ novel The Time Machine critiqued labor and class conditions of the day by transporting his protagonist to a future ruled by bloodthirsty proletariat mutants feeding off the waifish decedents of the aristocracy. In the racially charged climate of 1966, Gene Roddenberry’s Star Trek envisioned a future where the races worked side by side to seek out new civilizations and new sexual conquests. Perhaps most strikingly of all, in the 1980s and ’90s Octavia Butler provided an alternative to the stagnantly white male visions of the future and created stories that were sculpted by the past and current oppression of women and blacks. So for this week’s Reader Advisor I offer few links that examine how we shape the future and how our projections shape the here and now.
Read MoreDespite all the technical know-how that goes into producing this work, there is something distinctly painterly about Portlock’s approach to image-making. and his futuristic landscapes owe a great deal to the golden age of American landscape painting in the nineteenth century. What separates Portlock’s work from the Hudson River School’s optimism is the artist’s pragmatic engagement with the difficult issues facing many American cities in the 21st century, such as the growing socioeconomic divide between rich and poor, the housing crisis, and environmental degradation. He presents a vision of Philadelphia that is terrifyingly realistic, for depending on where you live, litter-filled streets and boarded-up buildings are all too familiar. As a new resident, I still see the scars of poverty and gentrification that crisscross the city, but exposure and familiarity can blunt the impact of painful reality. Bringing together historical references, contemporary issues, and digital technology, he helps us to see our city with new eyes.
Read More“Maggie’s Plan” is a pleasant, intriguing film. Greta Gerwig stars as the Greta Gerwig we met in “Frances Ha.” But the other two actors, Ethan Hawke and Julianne Moore, play abstruse academics as successful writers. The film postulates that their characters are more intelligent than the Gerwig character. Moore with her Danish accent might be based on writer/director Rebecca Miller’s mother Inge Morath. Hawke might be said to resemble her father Arthur Miller. Who, ergo, is Greta Gerwig but–Marilyn Monroe? She’s no Greta Garbo. The film’s a screwball comedy that makes me speculate. And of course Miller is married to–Daniel Day-Lewis.
Read More4050 Apartments is a residential project for low-income artists and others.
Once completed, this three-story building will contain 20 one-, two-, and three-bedroom apartments that offer flexible layouts and large windows. Residents will have access to a community room on the ground floor that will also be a site for arts and educational programming open to the public
