I met with five members of Grizzly Grizzly on Zoom, at the time when they had just deinstalled the show by David Herbert and were prepping the next exhibit, Freed from Necessity, a two-person show featuring the work of Philadelphia-based sculptor Matthew Speedy and interdisciplinary artist Halo Lahnert. Grizzly members Erin Boyle, Amy Hicks, Diedra Krieger, Connor Longo and Jayne Struble participated in the conversation.
Read MoreAndrea Kirsh visited the Museum of Fine Arts Boston this summer and her review explores the mass appeal of Hokusai’s wood block prints, explaining the evolution of the ubiquitous “Great Wave” image and it’s steps towards contemporary representations.
Read MoreBranche Coverdale’s exhibit at Paradigm Gallery and Studio has paintings that are funky and “in a semi-nostalgic register,” says our reviewer, Corey Qureshi. Corey concludes that the works “use modern sensibilities to depict potentially (probably) past tense moments.
Read MoreHi, this week’s a light one as we see two new exhibitions just getting ready to open at Locks Gallery and a celebration of a year anniversary at Noname Gallery. Glen Foerd will have it’s final third Thursday of the Summer with food, family fun, and live music. Take a chance at submitting your design for a Mural of Coach Dawn Staley for Mural Arts Philly. Or apply for RAIR, a residency based out of a demolition recycling center. What ever it is you do this week, we hope you have fun and stay cool. And while you’re staying cool, check out some of the readers list links to weird, wonderful and great articles and things we’ve rounded up for you.
Read MoreSharon Garbe sees a live garden gnome in action at Glen Foerd. As portrayed by 2023 Performance Artist in Residence at the historic mansion, Alex Tatarsky’s fictitious gnome is punny, funny, morose, musical and politically awake to their plight as a working class anomaly in the garden of a mansion.
Read MoreLane Timothy Speidel is an artist and writer, currently showing work at Data Nation at the National Liberty Museum. They uncover the promising uses of AI, for accessibility and representation, for underrepresented peoples. They also give warning about AI being used in exploitative ways, ultimately saying that in the art sphere it could never “replace” the artist.
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