“Trouble” magazine is a “surreal adventure in page turning,” says Roberta, about the publication started by Matthew Rose. Also rounded up in this News edition, a talk online or in person with one of Artblog’s favorite artists, Gabe Martinez; information about the Pan-Philadelphia festival “Rehearsing Philadelphia, a musical cornucopia inclusive of all styles and players. Finally, there are some good opportunities for funding!
Read MoreRoberta prefaces the News and Opportunities with a heartfelt musing about the importance of cities, since so many are being destroyed right now in Ukraine. Meanwhile, there is news about free public wifi in Philadelphia and several opportunities.
Read MoreKate Brock says this rich and complex tpairing of shows at Arcadia invites “dialogue around intergenerational, artistic exchange.” Polly Apfelbaum- maybe best known for her hand-dyed, velvet “fallen paintings”- is is an artist who shows widely; David Ellinger, who was born 42 years before Apfelbaum, was a painter of some renown, of Dutch-German-influenced scenes. He was also an antiquarian and a ‘female impersonator.’ The show, and its documentary materials about Ellinger’s life, explores the intersection of two artists of different generations who never met but whose work seems to be in dialogue.
Read MoreSyd Carpenter’s Farm Bowls are mini-portraits of the farms and people she met on trips through the South. Named after these family farms, the Farm Bowls are “remarkable variations on the same, simple form” says reviewer Andrea Kirsh, who also comments about the “Mother Pins” that “they have stunning ranges of textures, coloring, and forms.” The exhibit is at Rowan University Art Gallery until March 26, 2022.
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