Samuel Brown reviews “Knowledge Lost” at Gallery 1201, by the artist collective “Difference Engine,” (John Bezark and Chris Baldys.) Brown says this interactive installation, which prompts you to write a eulogy out of deleted Wikipedia entires on an old computer, is especially impactful when experienced in solitude. The show closes Friday, Mar. 22, so catch it quick before it’s gone.
Read MoreIn her review of Cecilia Vicuña exhibition, Andrea Kirsh calls the works — little cobbled-together objects tacked to the walls or arrayed on a low platform on the floor — marvels. But these objects are not nothings to throw away but objects with magical shadows and poetic meanings, and their mystery delights.
Read MoreGuest contributor Mina Zarfsaz describes the power of “Letter to the Public,” an interactive installation currently on view at Icebox Project Space through January 26th.
Read MoreTina Plokarz takes a trip down to WIlmington to view Aaron Eliah Terry’s current exhibit at The Delaware Contemporary. Terry, who is a current member of Vox Populi, (as is Tina), makes collages, prints and sound installations that explore the relationship between music, visual culture and political activism from the 1960s and 70s until today. Get down to The Delaware quick before “Syncopated Samizdat” closes on January 10.
Read MoreAndrea Kirsh pens an appreciation of Make Me a Summary of the World, Indian-American artist Rina Banerjee’s solo show currently up at the Pennsylvania Academy of Fine Art. Densely layered in materials and meaning, this exhibition addresses the legacy of colonialism and the transnational nature of the contemporary art world through sensuous textures and bright colors. Rina Banerjee: Make Me a Summary of the World is on view through March 31, 2019.
Read MoreThe bibliography of politically-committed art by African American women has gotten considerably richer with the publication of several exhibition catalogs, all of which are essential resources on their subjects. Here, in part 1 of a two-part series, Andrea Kirsh reviews the catalogs for “Howardena Pindell: What Remains to Be Seen” at the Museum of Contemporary Art Chicago and “Joyce J. Scott: Harriet Tubman and Other Truths” at Grounds for Sculpture.
Read MoreAndrea Kirsh writes about a decorative installation by Talia Greene at Glen Foerd that draws attention to a historic house’s wealthy’s occupants and the hidden story of the poor workers who built it, tended it, and served the owners. She says the historic house’s current caretakers are making some of the hidden histories visible on their website.
Read MoreThis year the curatorial statement for documenta 14 followed suit with the general state of the arts by concentrating on political unrest, economic disparities exploitation, and the displacement of people. Andrea shares some of her favorite moments of the quinquennial festival, and also gives us a critical review of some of the unfortunate selections made by a few curators.
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