You don’t have to be a dog or cat lover (indeed I am not); you don’t have to be a Philadelphian; you don’t have to know anything about the artist’s past or present personal or professional life; you don’t have to know anything about her politics or her activism (or her pets); you don’t even have to know anything about art to enjoy When You Wish, Sarah McEneaney’s exhibition of 16 new works now up at the stately Locks Gallery. There is nothing esoteric, mysterious, pretentious, assuming, conceptual, or even symbolic about this collection of McEneaney’s work.
Read MoreLocated in a charming 2-story carriage house behind the Keefe’s house on a quiet residential street, the space was light-filled and welcoming on a recent Sunday afternoon when I visited to see the two person exhibit of works by Anne Canfield and Gary Petersen.
Read MoreAlthough the theme is hardly predominant, Johnson’s work clearly touches upon the political history of African-Americans in this country. The work includes poignant scenes of death and despair in the African-American community, and suggestions of the oppression that the community has been subjected to.
Read MoreHe wants students to enjoy how paint is applied to canvas, not worry about color theory. But in his own way, he is teaching color theory through feelings and sight.
Read MoreThe color combinations of these works create an illusion of depth, opacity, and even motion: the orbs seem to pulse.
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