Wick’s work invokes feelings about the earth we inhabit, about our fragility and vulnerability, about our fears and our passions, and about what we are doing to the earth and to each other.
Read MoreThe centerpiece of the show is Goodman’s “Untitled,” reproduced here. This to me is Goodman at his finest: the brilliant contrast of light, color, and darkness, the ambiguity of direction, the mysterious, luminescent, transformative power of the cylindrical object that dominates the canvas.
Read MoreLooking at the titles, the show is undeniably an homage to love and how it reveals itself to people. Yet the show also is a metaphor for the artist’s love of interacting with paint.
Read MoreLewis’ reputation has been maintained within the African-American community, and this exhibition ought to bring him the broader attention he certainly deserves.
Read MorePerkins curator Alan Willoughby says about Poacelli, who teaches a class in mixed media at the art center: “I love her work. She has a great sense of color, layering, space and vibrancy. She is constantly producing, and people are not tired of looking” at her art.
Read MoreYuskavage can seem disarmingly down-to-earth at one moment, and intriguingly ambiguous the next. At one point during the evening she casually remarked: “Sometimes love is a killer for art.”
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