I give this exhibit 3 out of 3 wishes, which means it made me wish for three things. It is a nice view of designs. The designs with bright, bold colors are like dresses I have never seen before. They are a fierce combination of a lot of different colors and shapes like chicken heads on straight fabric with a stained glass design on the ruffled fabric all on one dress! I wish there were kids’ fashions in the exhibit, too. I also wish that I could see how they are sold in Africa. What do the shops look like? Who gets to wear these clothes? I wish I could! They are interesting fashions and would make the person wearing them look bold and fierce. Three wishes means it made me imagine 3 things and that is why I love to go to museums!
Read MoreChipaumire announces, “Tired of fighting. Tired of running. Tired of fucking.” The hare bounding over the ropes. The Champion hurling into them, into the ground. Until he, finally, –well, no, you should see it, you should try to feel it for yourself.
Read MoreCreative Africa is a 5-exhibition blockbuster show of contemporary and traditional Africa Art at the Philadelphia Museum of Art’s Perelman Building. This video focuses on Philadelphia-based Walé Oyéjidé, designer, writer and Creative Director of the Ikiré Jones clothing label.
Read MoreFrancis Kéré is a Burkina Faso-born, Berlin-based architect known for his adaptive use of vernacular materials in structures like schools and other gathering places, especially in his native land. The Artblog video shows Kéré’s passion for community participation in his projects.
Read MoreThis summer, Artblog dove into the Philadelphia Museum’s Creative Africa show — and into the wonderful summer program, Art Splash, that introduces moms, dads, and kids of all ages to the great art on view, and facilitates art making by the viewers, right there in the museum.
Read MoreAnd perhaps this last is one of the most significant points the exhibition makes: despite an international interest in the commercial vernacular and the visual impact of the media, the works in the exhibition can only be truly understood within the cultures that produced them. This leaves serious viewers with the realization that the information in many of the introductory labels is insufficient background for a real understanding of the art and how it functioned in its native territory.
Read MoreThe PMA has introduced their first-ever Artist Membership. Between Feb. 24-28, artists can become members for $25. The application process includes documentation of artist status but the bar is set reasonably — Artists must show “documentation (via smartphone or printed piece) of how they share their work with the public. A website, Instagram or Facebook account, Etsy page, or a postcard of a past or upcoming exhibition will work just fine.”
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