I assume, but am not sure whether the three artists who received this year’s Meyer Family Award for Contemporary Art were selected with a view to showing their work together. Of course, it’s never an easy task to integrate the work of three artists into a coherent exhibition.
Read MoreNew Space, New Work marks a new direction for Gallery Joe, but as always, Becky’s enthusiasm and respect for her artists remains the foundation of the program.
Read MoreThe Black Show makes me think about José Saramago’s epic novel “Blindness” (1997), in which blindness invokes darkness, oscillating between sociopolitical misconception and human malice. “I don’t think we did go blind,” reflects one of Saramago’s figures at the end.
Read MoreLevitt’s work typifies the inner world of a person utterly and easily delighted with life—the lives of others, of objects, of despondent and celebratory moments. Her photographs portray a sensitive and honest world unclouded by the politics or social mores of her time.
Read MoreThe Institute of Contemporary Art at the University of Pennsylvania has given over its second-floor galleries to the New York art team Valerie Tevere and Angel Nevarez. One of the galleries is simply a radio on a table. It plays an original radio play the duo wrote: a science fiction story about voice recognition technology.
Read MoreHarris is not afraid to investigate and offer in his collages and other artworks a new version of our national and cultural history, one which often illustrates a confounding unfairness we have all inherited.
Read MoreAlthough the theme is hardly predominant, Johnson’s work clearly touches upon the political history of African-Americans in this country. The work includes poignant scenes of death and despair in the African-American community, and suggestions of the oppression that the community has been subjected to.
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