Bayside Revisited is Gabriel Martinez’s elegy, and perhaps also his eulogy, to a rare place and to a community where gay men were free openly to express their sexuality in the early 1980s. The exhibition is a celebration of that place and that freedom, tragically punctuated by the devastating epidemic of AIDS, which killed thousands of gay men in the decade that followed and derailed an emancipating sexual revolution that had flourished with promise in the 1970s.
Read MoreThe Master of Science in Surface Imaging program at Philadelphia University is excited to host a Surface Imaging Symposium as part of DesignPhiladelphia 2015.
Read MoreEnter Bridgette Mayer Gallery–a space well known for its contemporary displays of landscape, photography, and the modern medium–and home to Experience of Place. The current exhibition highlights the works of Eileen Neff and Sharon Harper (Bridgette Mayer veterans), Jessica Backues, Michael Eastman, and Brea Souders, and creates a dialogue between five different artists translating their vision of place.
Read MoreWhat happens when an artist’s art becomes more than just that? What are you to do when your art is now a manufactured brand? These are some of the questions that Opera Philadelphia and the Bearded Ladies Cabaret’s world premiere of ANDY: A Popera (also part of the 2015 Fringe Arts Festival) asks the audience head-on.
Read MoreA Monet-like photograph of water lilies fading in water (Stephen Shore), a monstrous face drawn over a dark backdrop (William E. Parker), and printed leaf-cutouts installed in conversation with images of birds on the exhibition walls (Eileen Neff)–all these photographs might seem disconnected on first impression, but this would be deceptive.
Read MoreBoth Boruchow and Kid Hazo are very much immersed in Philadelphia’s current, thriving public and street art scenes dominated by a new generation of artists. Boruchow is primarily a wheatpaster and a muralist, while Kid Hazo focuses on satirical, small-scale public installations.
Read MoreThe featured works/installations are devoted to issues related to identity and social change. And no, identity for artists of color is a not a moot issue these days. Their perspectives on identity are as valid as those of Euro-American artists, who lay claim to universal truths as if they own them.
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