In this guest essay by Chris Funkhouser, the writer tells us of Theodore A. Harris’s ‘Road to Damascus’ encounter with a commissioned painted copy of a 1662 Rembrandt work, “The Sampling Officials of the Amsterdam Draper’s Guild” at The Curtis Institute. Harris had been working on a series called “Thesentür/The Thinker.”
Read MoreAt a time of deep isolation like ours, letter writing offers a breakthrough to a special closeness as shown in the book “Artists’ Letters: Leonardo da Vinci to David Hockney.”
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